ARRI ALEXA Mini Camera Rental

ARRI ALEXA MINI RENTAL

The same cinematic image quality of the original ALEXA EV, only in a much smaller package. Perfect for gimbals, cranes, and shots that require a compact camera footprint. The 4:3 sensor mode make the ALEXA MINI a perfect choice to shoot anamorphic. The camera’s maximum frame rate of 200 fps means it can also be used for stunning slow-motion cinematography, saving further time and money on set by doing away with the need for a separate high-speed camera. Like the ARRI AMIRA, the ALEXA Mini can record 4K UHD ProRes images, facilitating real-time 4K UHD output and simple pipelines for high-resolution deliverables. More important than this, however, is the fact that the Mini and all other ARRI cameras with the ALEV III sensor offer unrivalled overall image quality by focusing not just on spatial resolution, but also on other image quality parameters such as dynamic range.

Full Frame Rentals offers Arri ALEXA MINI rentals in/around Atlanta, GA and Los Angeles, CA. Our offerings range from basic shooter kits, to fully loaded movie packages that contain lenses, support, filtration, power, mattebox, follow focus and more. Studio and stage rentals also available under one roof!

 

ARRI ALEXA MINI “PLUG N PLAY” Package
$2,000.00/day

ARRI ALEXA Mini Camera Rental

 

Lenses/Filters:
1) Set Zeiss Super Speed T1.3 Primes (18mm, 25mm, 35mm, 50mm, 85mm)
1) 4×5 IR ND Filter Set 3,6,9,1.2, 1.5, 2.1

 

Monitor:
​1) ​TV Logic 5.6″ LCD Monitor
1) 17″ Panasonic Monitor

 

Mattebox/FF:
1) 3 Stage Clip On Matte Box w/Shade
1) ​LMB5 Backing
1) Arri Follow Focus 4
2) 15mm Rods 12″

Package Includes:
ALEXA MINI CAMERA BODY WITH
1) PL Port Cap
1) USB Stick
1) Antenna
1) 3mm Tool
1) Operation Manual
1) Titanium PL Mount with LBUS connector
1) Alexa Mini Viewfinder
1) MVF-1 Viewfinder w/ Cable
1) Spare VF Cable
1) Wooden Camera Quick Cage w/ LW 15mm
1) Wooden Camera D-Box
1) Wooden Camera 15mm Baseplate
1) Wooden Camera NATO Handle
1) Wooden Camera UVF Bracket
1) 15mm x 340mm Rod (Pair)
1) BAP-2 Side/Top Mount Battery Plate
1) 4-Pin 12v Power Cable (2)
1) AC Power
4) CFast 2.0 Card 120GB w/ Case
1) C Fast 2.0 Reader with USB 3.0 & Thunderbolt 2 Cable
1) Case

Support/Accessories:
1) O’Connor 2060 Fuild Head
1) Ronford-Baker Spreaders
1) Ronford-Baker Standard Tripod
1) Ronford-Baker Babies

 

BOOK NOW!

* This is a fixed rate with no additional discounts. Any changes and/or substitutions are subject to additional charges. Packages subject to availability. *

 


Additional Packages/Add-ons:

ARRI MINI MOVIE PACKAGE

ARRI MINI MOVIE PACKAGE

$2,800.00
Includes everything in PLUG N PLAY package, but replaces lenses with Cooke S4 Primes (6-LENS SET).

ARRI MINI PRODUCERS PACKAGE

ARRI MINI PRODUCERS PACKAGE

$2,150.00/day
Includes everything in PLUG N PLUG, but upgrades lenses to ANGENIEUX OPTIMO DP 16-42MM and ANGENIEUX OPTIMO DP 30-80MM.

MINI ANAMORPHIC

MINI ANAMORPHIC

$2,500.00/DAY
Includes everything in PLUG N PLUG, but upgrades lenses to KOWA Anamorphic Primes. (40mm T2.3 • 50mm T2.3 • 75mm T2.8 • 100mm T3.4)

 


Other Popular Lenses:

KOWA Anamorphic Primes

KOWA Anamorphic Primes

4-Lens Set (Round Fronts)
• 40mm T2.3
• 50mm T2.3
• 75mm T2.8
• 100mm T3.4

ARRI - ZEISS ULTRA PRIMES

ARRI - ZEISS ULTRA PRIMES

Modern 16-Lens Set
• 8R, 10mm, 12mm, 14mm, 16mm, 20mm, 24mm, 28mm, 32mm, 40mm, 50mm, 65mm, 85mm, 100mm, 135mm, 180mm

KOWA CINE PROMINAR LENSES

KOWA CINE PROMINAR LENSES

Vintage 8-Lens Set
• 15mm T4 , 20mm T2.6, 25mm T2.3, 32mm T2.3, 40mm T2.3, 50mm T2.3, 75mm T2.3, 100mm T2.3

SENSOR 35mm format ARRI ALEV III CMOS with Bayer pattern color filter array
PIXEL ARRAY S16 HD: 1600 x 900 (1760 x 980)
HD: 2880 x 1620 (3168 x 1772)
2K: 2868 x 1612 (3154 x 1764)
3.2K: 3200 x 1800 (3424 x 1926)
4K UHD: 3200 x 1800 (3424 x 1926)
4:3 2.8K: 2880 x 2160 (3168 x 2160)
2.39:1 2K Anamorphic.: 2560 x 2145 (3424 x 2202)
HD Ana.: 1920 x 2160 (3424 x 2202)
Open Gate 3.4K: 3424 x 2202 (3424 x 2202)
WEIGHT ~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)
DYNAMIC RANGE 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
EXPOSURE INDEX EI 800 base sensitivity
FRAME RATES 16:9
ProRes HD 0.75 – 200 fps
ProRes S16 HD 0.75 – 200 fps
ProRes 2K 0.75 – 200 fps
ProRes 3.2K 0.75 – 60 fps
ProRes UHD 0.75 – 60 fps
MFX/ARRIRAW 16:9 2.8K 0.75 – 48 fps4:3
ProRes 4:3 2.8K 0.75 – 50 fps6:5*
ProRes 2:39:1 2K Ana. 0.75 – 120 fps8:9**
ProRes HD Ana. 0.75 – 120 fpsOpen Gate
MFX/ARRIRAW 3.4K Open Gate 0.75 – 30 fps* 4:3 cropped
** Center crop from anamorphic
(1) Minimum frame rate is always 0.75 fps
(2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)
COLOR OUTPUT Rec 709, custom look or Log C
SHUTTER Electronic shutter, 5.0° to 356.0°
FILTERS
Built-in motorized ND filters 0.6, 1.2, 2.1
RECORDING CODECS ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAW


 

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